Archive for ‘Institutional | University’

October 1, 2011

Dundee House | Reiach and Hall Architects

Architects: Reiach and Hall Architects
Location: Dundee, 
Structural Engineer: Buro Happold
Main Contractor: Bovis Lend Lease
Project Year: 2011
Project Area: 12,500 sqm (Gross Internal Floor Area)
Photographs: Dave Morris, Paul Zane, 

This is not an ordinary office building. It is Dundee City Councils headquarters and is the primary location where the citizens of Dundee will meet their council officers. As well as containing the councils spatial needs the building has an important civic role to play re-using and reinvigorating a protected derelict industrial building, which is located in a slightly forgotten part of the city the new building has begun the process of revitalising this area.

The function of the building is to enable the provision of the council’s office services. The building will contain approximately 900 staff and has a floor area of 12,500 sqm. A component of the brief is to stimulate departmental interactions, so all communal facilities are co-located outside the departments.

The functional requirements, when considered with the civic nature of the proposals informed the external expression. The historic building is retained. The new offices are placed to the west, rising above their neighbours in three towers, signalling the Council to the city, a linear core is placed between the old and new, working with the existing linear site emphasis and providing intuitive navigation of the large floor plates. The existing building is re-roofed with a contemporary attic.

The building adopts highly sustainable principles with natural ventilation and exposed thermal mass and was BREEAM assessed as excellent.

http://www.archdaily.com/172594/dundee-house-reiach-and-hall-architects/

 

August 27, 2011

Shenzhen Stock Exchange | OMA

The NASDAQ equivalent Shenzhen Stock Exchange by OMA, continues to progress forward nearing completion. The latest photographs of the new building, which poses a strong representation of capitalism in , highlight the robust exoskeletal grid and the and complexity of construction.

“For millennia, the solid building stands on a solid base; it is an image that has survived modernity. Typically, the base anchors a structure and connects it emphatically to the ground. The essence of the stock market is speculation: it is based on capital, not gravity. In the case of Shenzhen’s almost virtual stock market, the role of symbolism exceeds that of the program – it is a building that has to represent the stock market, more than physically accommodate it. It is not a trading arena with offices, but an office with virtual organs that suggest and illustrate the process of the market.”

– OMA

The project is based on pure volumes, a combination of a tower and a podium suspended 36m high. The podium is one of the biggest cantilevers in the world, an operation that liberates the ground to create a big public plaza which is visually connected (representing the new economic openness) to the lower part of the tower and the podium itself, the places were the stock exchange operations take place. Above the podium, there is a series of office space for internal operations of the SSE, totaling 200,000sqm for the entire building.

“The tower’s structure is a robust exoskeletal grid overlayed with a patterned glass skin – the first time such glass has been used for an exterior at this scale. The patterned glass reveals the detail and complexity of construction while creating a mysterious crystalline effect as the tower responds to light: sparkling during bright sunshine, mute on an overcast day, enigmatic at dusk, glimmering during rain and glowing at night.”

– OMA

http://www.archdaily.com/162659/update-shenzhen-stock-exchange-by-oma/

August 27, 2011

Mascaro Center for Sustainable Innovation | EDGE Studio, Nbbj

 

Architect: EDGE StudioNbbj
Location: Pittsburgh, Pennsylvania
Project Team : Gary Carlough AIA, Jeff King AIA, Mick McNutt AIA, Stephen Mrdjenovich
Project Team Nbbj: Doug Parris AIA, A.J. Montero AIA, Kathy Kelly AIA
Project Area: 22,000sqf
Project Year: 2010
Photographs: Ed Massery

The  decided to expand and renovate Benedum Hall, the 1960′s home for the Swanson School of Engineering on Pitt’s main campus in Oakland. The original limestone clad modernist tower and disconnected auditorium buildings had become obsolete, as the school’s focus shifted to the 21st century disciplines of nanotechnology, bioengineering, and materials research. As a result, EDGE Studio and Nbbj have designed a more flexible facility that is advantageous to inter-departmental cooperation, and helps attract the best and brightest research faculty and students from around the world.

The project has two segments: a 22,000 square foot addition to house the Mascaro Center for Sustainable Innovation, and a full renovation in phases of the existing buildings, including full upgrades to all mechanical, electrical, plumbing, and life safety systems.

The project started with an extensive master planning and programming phase, with the often conflicting needs and desires of over 70 research faculty and administrators. Both the addition and renovations were completed while the building remained fully occupied and functional, making the planning, move management, and construction management a significant challenge.

The addition, housing the Mascaro Center for Sustainable Innovation, forms a raised link on the site’s north side between the original tower and auditorium. A poured-in-place concrete structure carefully threads its way through the existing basement and subbasement lab spaces below, expressed by the large sloped piers supporting the building over O’Hara Street.

The metal panel and curtain-wall-clad addition contains computer labs, conference spaces, and administrative spaces, which acts as a laboratory for cross disciplinary research into sustainable building and product design. It also contains a new four story open stair hall, linking the three buildings of the assembly, forming a new entry down to the original building’s basement which has been opened up to house a new Teaching / Learning Center.

The project achieved LEED Gold Certification. However, the most important sustainable characteristic is the work that goes on inside, researching into water use, energy use, building construction systems, and collaborations with sustainable technology industries.

http://www.archdaily.com/159216/mascaro-center-for-sustainable-innovation-edge-studio/

July 30, 2011

Le Quartier Concordia – John Molson School of Business | KPMB Architects with Fichten Soiferman et Associés Architectes

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Tom Arban

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Tom Arban

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Marc Cramer

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Eduard Hueber

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Marc Cramer

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Marc Cramer

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Marc Cramer

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Marc Cramer

Le Quartier Concordia - John Molson School of Business / KPMB Architects with Fichten Soiferman et Associés Architectes © Tom Arban

plan © KPMB Architects plan © KPMB Architects

plan © KPMB Architects plan © KPMB Architects

plan © KPMB Architects plan © KPMB Architects

plan © KPMB Architects plan © KPMB Architects

elevation © KPMB Architects elevation © KPMB Architects

elevation © KPMB Architects elevation © KPMB Architects

elevation © KPMB Architects elevation © KPMB Architects

The John Molson School of Business (JMSB) was designed to accommodate faculty, administrators, and undergraduate and graduate students under one roof to foster a community of scholars and the exchange of ideas. It is also the outcome of a winning design competition scheme. The JMSB represents the third building to complete the bold vision to create Le Quartier Concordia – a new vertical campus bringing together Visual Arts, Engineering/Computer Science and Business on two blocks in downtown Montreal to raise the profile of Concordia’s brand.

Architect: Kuwabara Payne McKenna Blumberg (KPMB) Architects with Fichten Soiferman et Associés Architectes (FSA)
Location: Montreal, Quebec, Canada
Project Area: 375,000 sqf
Project Year: 2009
Photographs: Eduard HueberMarc CramerTom Arban

The design leverages Montreal’s urban and natural geography to inject vibrancy into an underutilized precinct. The JMSB occupies a section of St. Catherine Street, a primary retail arterial, in downtown Montreal. The 17-story building is oriented to capture views of the city’s main natural features, the St. Lawrence River and Mont Royal. The interior topography of stacked atria with interconnecting stairs, lounges and a variety of teaching and gathering spaces, was planned and designed to optimize face-to-face interaction between the students and faculty of JMSB. The concrete loft structure is inherently flexible to facilitate connectivity and change, and the emphasis on quality in materials and detailing further advances goals for long term value.

Described as a ‘green centre,’ in addition to meeting LEED Silver requirements, the JMSB features one of the world’s first combinations of solar heat and power technology integrated into a non-residential building as well as the largest solar-electric installation in Quebec.

Facilitating Outstanding Teaching and Discussion-Based Learning
To provide innovation, flexibility and cutting edge technology in classroom and seminar room design, KPMB and user representatives from JMSB conducted an extensive tour of the top business schools in North America to study classroom typologies and develop templates for JMSB teaching spaces. Unlike Harvard, which is committed to the case study format, JMSB determined it would have a variety of formats in a 60 student per class module to accommodate the diversity of teaching modes to distinguish JMSB’s unique brand of openness and inclusivity. The project also includes the ‘breakout’ or ‘teaching in the round classroom.’ The total of 45 classrooms are each individually equipped with complete AV systems: Crestron control panels, flip-top cable storage compartments, computers, DVD and VHS players, LCD projectors, projection screens, speakers and motion sensor controlled highlighting.

Vibrancy and Cross-disciplinary Exchange
Opportunities for breakout, both formal closed configurations and open casual configurations, are designed and located to intensify a sense of community within the tower format, with an emphasis on creating a hub of activity on the first four floors. The second floor features a ‘floating event room’ suspended in the main atrium, and closed group study areas on the second and third floors provide options for various scales of gathering. The top of the Special Functions room is used as a student lounge and workspace area. Roof terraces are designed as outdoor extensions of offices, study areas and lounge space. The 15th floor has a faculty lounge with terrace and an oval conference room with catering facilities.

Environmental Sustainability
The design was conceived at the threshold of sustainable design and energy reduction emerging as priorities in architecture. At the same time, the Faculty of Business and Administration was also expanding its focus on sustainable issues, and has since established the David O’Brien Centre for Sustainable Enterprise to position Concordia as a leader in business practices that support corporate and social responsibility, and environmental initiatives. Designed as a forerunner to LEED, Concordia, the Faculty and the architects committed early on to establishing the JMSB as a ‘green’ centre. The design meets LEED Silver level requirements.

The John Molson School of Business is also distinguished as the world’s first demonstration of an innovative combination of solar heat and power technology integrated into a non-residential building as well as the largest solar-electric installation in Quebec. It features approximately 300 sq. metres of an innovative photovoltaic-thermal system. It represents the next generation of building design in that it will not only produce energy for its own use, but produce energy for the electricity network. A large energy display in the lobby will allow the public to view the real-time energy captured by the sun and used by the building. Strategic decisions, such as the absence of indoor parking and the integration of an underground tunnel to the Guy Metro station, encourage access by public transit.

Project Team:

-Marianne McKenna (partner-in-charge), Bruce Kuwabara (design partner), Andrew Dyke (associate-in-charge), Glenn MacMullin (project architect), Rob Kastelic, John Peterson, Lucy Timbers, Eric Ho, Paulo Zasso, Andre Prefontaine, Jill Greaves Osiowy, Omar Gandhi, Esther Cheung, Virginia Dos Reis, Lilly Liaukus, Olesia Stefurak, Deborah Wang; FSA-Jacob Fichten (partner-in-charge, Chargé de Projet), Gerald Soiferman (partner, administration), Andrij Serbyn, Benoit Lamoureux, Julie Dionne, Victor Garzon, Artur Kobylanski , Etienne Gibeault, Jessica Cuevas, Patrick Tiernan, Dimitri Koubatis, Martine Lacombe, Eric Jofriet, Marie-Helene Trudeau, Bertrand Marais, Lheila Palumbo
Structural Engineer: Nicolet Chartrand Knoll Limitée
Mechanical and Electrical Engineer: Groupe HBA Experts-Conseils Senc
Code and Safety: Curran McCabe RavindranTechnorm Inc.
Vertical Transportation: Exim
Audio/Visual: Trizart Alliance
IT/Security: Doucet et Associés
Project Manager: Genivar
General Contractor: J.E. Verreault

http://www.archdaily.com/154345/le-quartier-concordia-john-molson-school-of-business-kpmb-architects-with-fichten-soiferman-et-associes-architectes/

June 12, 2011

Center for Global Conservation | FXFOWLE

Bronx, New York

An office building in the Bronx Zoo seems as natural to the site as the surrounding parkland and accommodates multiple programs with minimal resources. Staring out the window is part of the job description.

By Laura Raskin

Center for Global Conservation

The Center for Global Conservation was inflected to save two specimen trees. Employees often sit on the patio surrounded by the nature preserve setting.

Center for Global Conservation

An intensive green roof slopes from the third floor to a wet meadow and provides necessary egress. Native grasses, flowers, and shrubs thrive on its path.

Center for Global Conservation

Located at the northern edge of a clearing, the CGC’s form, sun shading, and ventilation help reduce energy consumption and maximize occupants’ comfort.

Center for Global Conservation

A vantage point on a staircase to the third floor provides a view of the main gathering space and library. An outdoor patio extends the gathering space.

Center for Global Conservation

The main entrance to the CGC is next to the staff kitchen. A moveable Cumaro wood screen can obscure views into or out of the dining area. Large rock outcroppings anchor both ends of the building.

Center for Global Conservation

Center for Global Conservation

Center for Global Conservation

Center for Global Conservation

Center for Global Conservation

Employees on their lunch break at the Center for Global Conservation (CGC) recently paused to observe wild turkeys roaming in front of the building. In the northwest corner of the Bronx Zoo’s 265 acres of New York City parkland, this display isn’t a rare occurrence. Nor is the sight of Inca terns swooping in the seabird aviary across from the CGC headquarters. Muskrats and goldfinches visit, too. Perhaps these creatures continue to treat the turf as their own because the rectangular, elongated three-story building — which achieved LEED Gold Certification in 2009 — seems as natural to the site as the two rock outcroppings it bridges.

The CGC, designed by FXFOWLE, houses several Wildlife Conservation Society (WCS) programs. WCS operates the largest network of wildlife parks in the world, including the Bronx Zoo, New York Aquarium, Central Park Zoo, Queens Zoo, and Prospect Park Zoo, and operates over 500 conservation programs in more than 65 countries. Until the new headquarters was completed in 2009, WCS employees were scattered in buildings across the Bronx Zoo. FXFOWLE, which had previously renovated the zoo’s Lion House in 2008, consolidated various programs with diverse needs at an unused edge of the park. After looking at various configurations, the firm designed the building to intrude as little as possible on the landscape, even inflecting it to save two trees. WCS employees now benefit from chance encounters. “It’s really changed our relationship. Proximity is everything,” says Susan Chin, vice president of planning and design and chief architect for WCS.

In mild weather, employees eat and work outside on the generous terraces. This was the hope, says FXFOWLE senior partner Sylvia Smith. “Rather than give everyone a private office, we created good workspaces and conference rooms and then extended the building with the outdoor space,” she says, pointing to a patio that is the same size as the staff dining room. “We did a lot of pairing, trying to blur the line.” When employees sit outside in front of the building they find themselves in the middle of a marshlike valley thick with native grasses.

Park visitors pass close to the private building, but it is set back in the landscape, creating the sense that the CGC is in the middle of the woods, not New York City. A berm built into the natural landscape frames a promenade that guides visitors to its entrance — they are welcome to use its outdoor dining spaces and explore the property.

Smith led a recent tour of the building that began on the ground floor. A glass and poured-in-place concrete entrance leads to a flight of stairs and the real arrival space — the second floor’s combined lounge and library — where windows look out to Fordham Road and the New York Botanical Garden beyond. FXFOWLE wanted occupants to feel framed by the landscape, says Smith. The main conference room, located to the south of the lounge, is an elegant example of this design principle, with a raised floor, clean detailing, and a cantilevered roof that extends the room into the woods.  Working with ornithologists at the CGC and the New York Audubon Society, the firm designed two floor-to-ceiling insulated glass walls made of a type of glazing that birds see as opaque. To humans, the glass looks pleasantly and subtly pinstriped. The CGC is in a migratory path, and the conference room is in the most wooded corner, making this a necessary measure. Rectangular red sandstone panels line the back of the conference room. Salvaged from the renovation of the 1903 Lion House, they are a reminder of place and history. In other areas, cleared trees from the site were milled and repurposed for trim.

On all three floors, bathrooms, copy rooms, and other support spaces are clustered at the off-center core. Private offices face north, while open, flexible office spaces face south. Approximately 140 people currently work in the building and there is room for more. “Within a fairly compact footprint, it doesn’t feel constrained,” says Smith of the private offices, thanks to minimal furniture that can be easily rearranged. Large windows on the northern and southern facades, as well as glazing in the private offices out to the hallways, allow light to penetrate the depth of the building. A window punctuating the westernmost edge of the building shows a view of a gas-fired 400 kW micro-turbine power system that supplies 100 percent of the building’s electricity. Waste heat from the micro-turbines is used for heating and cooling the CGC, and for domestic hot water.

Another important component — just as seamlessly integrated — is the sloping intensive green roof that doubles as egress. It begins on the third floor next to an outdoor patio and continues to ground level. Native grasses, flowers, and shrubs nearly obscure the outline of a walking path. During the tour, Smith and Chin casually pulled out overgrowth while chatting about gardening. Knowing that many green roofs fail because of leaks, the FXFOWLE team conducted comprehensive water testing on the CGC’s roof. Louvers made of locally grown black locust striate the southern facade of the building, adding a weathered aesthetic to the glass and concrete. Smith notes that black locust is one of the hardest woods and is used elsewhere in the park. The louvers mimic a moveable Cumaro wood screen that helps shade the staff dining room.

Chin says she hears repeatedly from occupants and visitors that they love the building. It’s the kind of feedback that the animals in the exhibits she designs can’t give. “These [outdoor] seats are filled in good weather. People bring their laptops out. It’s actually getting used the way we hoped it would,” she says. “I feel like we grew up a little when we came here.”

Architect
FXFOWLE
22 West 19 Street
New York, NY 10011
212-627-1700

Location:
The Bronx Zoo
2300 Southern Boulevard
Bronx, NY 10460

Completion Date: June 2009

Gross square footage:
Building gross floor area: 35,146 square feet
Building footprint area: 15,493 square feet
Total conditioned square footage: 33,000 square feet

Construction cost: $29 million

http://archrecord.construction.com/projects/Building_types_study/Office_Buildings/2011/CGC-Bronx.asp

May 23, 2011

prefab concrete panel in facade | Carreño Sartori Arquitectos

Salamanca City Hall / Carreño Sartori Arquitectos © Courtesy of Carreño Sartori Arquitectos

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Section A Section A

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Site Plan Site Plan

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Salamanca City Hall / Carreño Sartori Arquitectos © Courtesy of Carreño Sartori Arquitectos

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Salamanca City Hall / Carreño Sartori Arquitectos © Cristóbal Palma

Architects: Carreño Sartori Arquitectos / Mario Carreño Zunino, Piera Sartori del Campo
Location: Salamanca, Chile
Collaborator: Pamela Jarpa Rosa
Client: Municipality of Salamanca
Construction: INCOBAL Construction
Structural Engineering: SyS. Mauricio Sarrazin A.
Electrical Engineering: ICG S.A.
Services: Roberto Pavéz
Project Area: 4400 sqm
Project Year: 2008-2010
Photographs: Cristóbal Palma

The city of Salamanca, is located in an inner valley at the base of the Choapa River, a minning and rural area. The surrounding landscape includes a long narrow agriculture strip surrounded by vertical arid slopes. This project introduces a new height for the present low construction city. This height does not mean a tower that can be seen from outside, but instead a five floor building understood as an interior in relation to the valley.

The site is adjacent to the city’s main square, Plaza de Armas de Salamanca. The first intuition was to start the building tour from enlarged public sidewalk, thinking the building as part of an urban situation.

The building contains a ramp system, which runs through an interior space opened to the landscape from ground level up to the terrace on the top floor, bringing together the various municipal services. To receive the ramps, two independent structures are based from the ground floor with a level mismatch. The ramps connect both volumes, complemented by two staircases -one at each end- which serves as shortcuts for work teams and the public.

This whole space where programmed complexity converges, receives a large number of people daily, consolidating the public nature of the building. This building proposes a meeting place for a tight community, as it is a town of no more than 12,000 inhabitants. All floor levels open to this main space, where worker teams receive the public in a relaxed atmosphere, brought inside the building by distant landscape views.

The physical attributes of the interior are activated to ventilate the place by convection, taking air in an underground yard and venting it in the top. It is naturally illuminating with a skylight at the top of the route and a  wall facing north. With an eave six meters wide, the building regulates the light in winter and summer, in the geometric relationship with the south hemisphere solar tour.

The journey upward from the urban ground to the fourth floor progresses from public to private with public programs in the lower levels, which are more open to the community, to more private programs in the upper levels.

In each level, departments are distributed perpendicularly along the length of the building. From the receipts of the ramps you go through a series of layers to reach the inner offices, where the river and northern slopes of the valley are seen.

The building process started with a seismic-proof  structure erected on site, and all other construction elements –like  panels, ramps and glasses- are prefabricated outside this isolated city and assembled to the main structure with flexible connections, that dissipate seismic movements.

http://www.archdaily.com/136262/salamanca-city-hall-carreno-sartori-arquitectos/

May 9, 2011

Svalbard Science Centre, Svalbard and Jan Mayen Islands | Jarmund/Vigsnæs AS Architects

Photos courtesy of Luvata

Jarmund/Vigsnæs AS Architects’ Svalbard Science Centre demonstrates a classic case of form follows function

Opened 5 years ago, this 8,500 sq m university research building addition is located about halfway between mainland Norway and the North Pole, which is just 600 miles away. Unsurprisingly, temperatures as low as -50°C are encountered during fierce winter storms. The whole building is raised up on steel posts to avoid melting the ground permafrost and it almost seems to float above the ground.

An insulated copper-clad skin is wrapped around the complex spaces demanded by the brief, creating an outer shell defined by the flows of wind and snow passing through the site and informed by climatic 3D simulations. The long-strip copper installation system was used with copper trays up to 10m in length.

Architects Jarmund/Vigsnæs design is an organic form derived from a lobster-shaped plan and faceted cross sections using sloping facades and shallow pitched roofs up to 60m long. At first sight, the long, low profile of the building seems arbitrary – almost like some alien structure sat in the snow or perhaps an echo of the angular faces of the surrounding mountains.

But the geometry is driven by essential practical considerations such as the effects of the flows of wind and snow through the site: an impressive demonstration of ‘form follows function’.

Chris Hodson

http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.projectview&upload_id=16587

March 6, 2011

City of Westminster College, London |schmidt hammer lassen architects

roject Details:
Location: London – UK
Type: Educational – Public
Architect: schmidt hammer lassen architects – www.shl.dk
Client: City of Westminster College
Area: 24,000m²
Construction Sum: € 81 million excl. VAT
Competition: 2006, 1st prize in restricted international competition
Status: Construction period 2008 – 2010
Engineer: Buro Happold, United Kingdom
Landscape Architect: schmidt hammer lassen architects
Main Contractor: McLaren Construction Ltd
Other Consultants: Knight Frank LLP – Stace LLP

The new flagship Campus for City of Westminster College by schmidt hammer lassen architects is designed to support new ways of teaching and learning. The 24,000m2 College, won in a competition in 2006, provides much greater amounts of open learning spaces than typical colleges in the UK and holds state-of-the-art facilities for both students and staff. The building is designed to embrace interaction and diversity and allow students to learn from each other, both formally and informally.

The learning spaces of City of Westminster College are adaptable and flexible so that, in addition to the integrated technology, the students’ development is supported by the diverse architectural spaces of the very building they are in. It is a design which encourages new ways of teaching and learning.

The College is located in the heart of Central London at Paddington Green on the site of its previous building, an inefficient and failing 1960s block. The building has been designed from the inside-out, responding to the needs of the diverse groups who use the College, as well as taking into account the sensitive local context. It appears as a clean-cut, modern building with a distinct Scandinavian heritage. The building’s simple geometric forms rotate around a terraced atrium, creating a unifying yet flexible organisation.

The respective floor plans surrounding the atrium have visual connections from one floor to the other, making the atrium a dynamic centre and the heart of the College. The large atrium, which on some floors extends all the way to the façade, enhances the relationship between the inside and the outside. It offers light-filled, open and inclusive spaces which encourage the interaction between students.

To support connectivity with the local community, most public functions – including an exhibition area, a theatre and a café – are located adjacent to the main entrance before the security turnstiles. The choice of colours for the building is inspired by its context and by the change of the seasons, whilst the light timber panels lining the interior form a contrast to the exposed concrete surfaces and underline the Scandinavian design heritage.

The building is designed to be sustainable and energy efficient and the overall scheme will have a low maintenance liability, significantly reducing the building’s lifespan costs and carbon footprint.

http://architecturelab.net/03/city-of-westminster-college-london-by-schmidt-hammer-lassen-architects/

March 6, 2011

École Á Énergie Positive | Gemaile RECHAK Architecte

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

École Á Énergie Positive / Gemaile RECHAK Architecte © Pierre-Yves Brunaud

Perspective © Gemaile Rechak Perspective © Gemaile Rechak

Plan © Gemaile Rechak Plan © Gemaile Rechak

Plan © Gemaile Rechak Plan © Gemaile Rechak

Section © Gemaile Rechak Section © Gemaile Rechak

Section © Gemaile Rechak Section © Gemaile Rechak

Located in an area registered for the Protection of Historic Monuments, this project required to sensitively insert their design into a context that is both varied and expressive in its materials, sizes and construction.

Project description, images, and drawings following the break.

Architect: 
Location: 
Project Year: 2010
Photographs: Pierre-Yves Brunaud

The contemporary architecture of this new nursery school extends the existing urban style and establishes a relationship between the materials, the contextual geometry, and the surrounding buildings. The completed school consist of four classrooms, a courtyard and ancillary rooms.

In an effort to maximize its microclimate, this compact and graphic design is closed on the North side and open to the South. The closed side gives the pupils privacy from the street, while the open side looks onto a pleasant courtyard. Additionally, the bay windows are tripled glazed with argon strips to prevent against overheating in the summer months. These features complement the copper roof with photovoltaic panels, which currently produce more energy than is used.

The classrooms are regularly bathed in natural light thanks to the raising of the roof, which, by bending, attracts light from the East and North.

http://www.archdaily.com/116761/ecole-a-energie-positive-gemaile-rechak-architecte/

 

 

March 6, 2011

Myrtle Hall | WASA-Studio A

Myrtle Hall / Wasa/Studio A © Alexander Severin RAZUMMEDIA

Myrtle Hall / Wasa/Studio A © Alexander Severin RAZUMMEDIA

Myrtle Hall / Wasa/Studio A © Alexander Severin RAZUMMEDIA

Myrtle Hall / Wasa/Studio A © Alexander Severin RAZUMMEDIA

plan plan

section section

model 01 model 01

model 02 model 02

Architects: Wasa/Studio A
Location: Myrtle Avenue, 
Partner in Charge: Jack Esterson, AIA
Project area: 120,000 sq. ft.
Photographs: Alexander Severin RAZUMMEDIA

Design Highlights

• Two predominant exterior wall systems; one  curtain wall with aluminum sunscreens on the south side that allows for views into and through the building from both sides and the other a panelized brick masonry wall with aluminum and windows on the north side that allows it to relate to the surrounding mercantile brick structures along Myrtle Avenue

• Four-story atrium connects the two wall systems and allows for views into and through the building from both sides

• One of the building’s most prominent features, the atrium serves as a symbolic gesture of transparency connecting Myrtle through the building to the campus and illustrates Pratt’s collaborative spirit, as well as its openness to the community.

• Art galleries on the second and fourth floors of the atrium will showcase student, alumni, and faculty work and promise to be among the most highly-visited spaces in the building

• North façade on Myrtle Avenue features a continuous metal clad sign band and a projecting canopy on the first floor

Eco Friendly Features

• Myrtle Hall is supported by structural steel and  that is high in recycled content

• Building has a combination green roof with native plantings and white roof to control storm water run-off, absorb carbon dioxide, and reduce the “heat island” effect

• Rooftop photovoltaic panels installed to provide green electricity for the building by displacing a portion of grid electricity and reducing greenhouse gases

• North-facing wall of the building designed for thermal performance and reflected daylight with high insulation values

Exterior sunshades control the amount of daylight that filters into the building, with interior glazed partitions for enhanced daylit views

• Lighting controls include daylight harvesting and occupancy sensors to maximize energy efficiency

• Myrtle Hall contains high-efficiency heating, ventilation, and air-conditioning systems to help in maintaining good indoor air quality and thermal comfort

Building employs low-flow plumbing fixtures to reduce water consumption and the demand on City’s water system

• Myrtle Hall was constructed using regional, recycled, and low volatile organic compound emitting materials

• Recycled materials that were non-polluting, non-outgassing, and low-odor were employed on interior finishes

Landscaping Features

• New eco-landscaped park adjacent to building offers an attractive, quiet, public space

• Park features light-colored pavement that reflects sunlight and reduces “heat island” effect

• Native and drought-resistant plants that require only rainwater are used in the landscaping

model 03 model 03

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