Archive for February 12th, 2012

February 12, 2012

Sarphatistraat Offices | Steven Holl Architects

Architects: Steven Holl Architects
Location: Amsterdam, 
Local architect: Rappange & Partners
Project year: 1996 – 2000
Photographs: Paul Warchol

In Amsterdam, on the Singel Canal, this renovated building is the former federal warehouse of medical supplies. The main structure is a four-storybrick “U” merging internally with a new “sponge” pavilion ont he canal. While the exterior expression is one of complementary contrast (existing brick adjacent to new perforated copper), the interior strategy is one fusion.

The porous architecture of the rectangular pavilion is inscribed with a concept from the music of Morton Feldman’s “Patterns in a Chromatic Field”. The ambition to achieve a space of gossameroptic phenomena with chance-located reflected color is especially effective at night when the color patches paint and reflect in the canal.

The layers of perforated materials, from copper on the exterior toply wood on the interior, contain all services such as lighting, supply, and return air grilles. The perforated screens developed in three dimensions are analogous to the Menger sponge principle of openings continuously cut in planes approaching zero volume.

“Chromatic Space” is formed by light bounced between the building’slayers. At night, light trapped between screens sometimes appears as thick floating blocks of color. At other times the passing sun creates a throbbing color wash or moving moiré patterns.
The complex is entered through the original 20th-century brick courtyard. Passing through the interior reveals gradually more porous spaces until reaching the Menger sponge pavilion overlooking the canal. While the major portion of 50,000 square-foot project is workspace for the social housing company’s employees, the large sponge space is open to receive all uses from public gatherings to performance events. Given back to the community, the immediate canal edge has a new boardwalk.

February 12, 2012

Infographic: Steel & Architecture

The evolution and impact of steel in Architecture.

February 12, 2012

Tea Houses__Swatt | Miers Architects

Architect: Swatt Miers Architects
Location: Silicon Valley, 
Project Team: Robert Swatt FAIA, Steven Stept AIA, Ivan Olds, Connie Wong (interiors), Jeanie Fan, Hiromi Ogawa
Structural Engineering: Yu Strandberg Engineering
Contractor: Neto Construction
Project Year: 2009
Photographs: Tim Griffith

The idea for the tea houses originated years ago, when the owner and his young daughter explored the remote hills surrounding their Silicon Valley home, discovering an idyllic setting below a ridge, under a grove of large California Live Oak trees. At first, the family thought the setting would be perfect for a tree house. Years later, after the 6000 square foot main house was extensively remodeled, the vision was realized as three individual tea houses, places where one could simply retreat into nature.

Each tea house is designed as a transparent steel and glass pavilion, hovering like a lantern over the natural landscape. Cast-in-place concrete core elements anchor the pavilions, supporting steel channel rim joists, which cantilever beyond the cores to support the floor and roof planes. With its minimal footprint, the design treads lightly on the land, minimizing grading and preserving the delicate root systems of the native oaks.

The three tea houses vary in size, each with its own unique purpose. The 270 square foot ‘meditation’ tea house, nestled under the canopy of the largest oak tree, is a place for individual contemplation. The slightly larger ‘sleeping’ tea house, approximately 372 square feet, is a place designed for overnight stays. This structure is joined by a sky-lit bathroom core, which bridges to the largest tea house. At 492 square feet, the ‘visioning’ tea house is for intimate gatherings and creative thinking. The notion of ‘quiet simplicity’ is a consistent theme throughout – there are no phones, televisions or audio systems within these structures.

The design emphasizes sustainability. Steel framed doors and awning windows provide access and high – low ventilation, while custom-modified aluminum framed sliding doors, with custom steel interlockers and fixed glass panels, mitered at the corners, dissolve the barrier between inside and outside. Natural cooling is enhanced by shading from strategically placed landscaping, including evergreen redwood trees and bamboo, and deciduous maple and gingko trees. Heating is provided by a radiant hydronic system below the flooring. Electricity is produced on-site by a photovoltaic array mounted on the roof of the main house.

The interiors are executed with a simple palette of contrasting materials – crisply detailed steel and glass, and more ‘organic’ unfinished concrete, board formed and wire brushed to expose the wood grain, and cedar boards, recycled from the remodeling of the main house.

As the sunlight and shadows move across the hillside the tea houses take on different forms – at sunrise, the structures disappear into the long shadows; the soft silhouette of the midday sun casts dramatic reflections off the glass; and by evening, the structures glow like lanterns in a garden. Viewed from afar or viewed from within, the tea houses appear at one with their sites, inextricably connected to the native California landscape.