Kunsthaus Bregenz | Peter Zumthor

kunsthaus_wikimedia commons © Courtesy of Wikimedia Commons

kunsthaus_wikimedia commons2 © Courtesy of Wikimedia Commons

kunsthaus_kradeki © Flickr User: Kradeki

kunsthaus_kradeki2 © Flickr User: Kradeki

kunsthaus_kradeki3 © Flickr User: Kradeki

kunsthaus_mightymightymatze © Flickr User: mightymightymatze

kunsthaus_mightymightymatze2 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze3 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze4 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze5 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze6 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze7 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze6 © Flickr User: mightymightymatze

kunsthaus_mightymightymatze5 © Flickr User: mightymightymatze

A year after the completion of Therme Vals [1996], renowned minimalist architect, completed the design of Kunsthaus  [1997].  The Kunsthaus museum in  is always in a constant state of flux always changing its exhibition spaces to accommodate international contemporary art.  Zumthor’s minimalist design adapts its spaces to the art that is showcased in its exhibits creating a coexisting and redefining relationship between art and architecture.

The Kunsthaus  has two main principles to their permanent collection: archives of art architecture and a collection of Contemporary art, which complements the changing exhibition spaces.  The museum strives to be the intersection of art and architecture that opens itself to culture and international influence.

More on the Kunsthaus  after the break.

“The art museum stands in the light of Lake Constance. It is made of  and  and a cast stone mass which endows the interior of the building with texture and spatial composition. From the outside, the building looks like a lamp. It absorbs the changing light of the sky, the haze of the lake, it reflects light and colour and gives an intimation of its inner life according to the angle of vision, the daylight and the weather.”  – 

The minimalist structure stands as a light box that absorbs, reflects, and filters light across the façade and throughout the building.  The facades etched, translucent  glows as it is illuminated by the sunlight, or the interior lighting, becoming a dynamic part of the building as it reacts differently according to the light, time of day, weather, and the surrounding context.  The light that is captured by the  façade gets filtered through a light plenum that catches and distributes the light through the gallery spaces.  The plenum creates atmospheric conditions within the gallery spaces that have a conditional relationship with the exterior, and vice versa.The interior of the museum complements the exterior simplicity and minimalist aesthetic.  The gallery spaces are composed of materials that are minimal in design, but highly effectual in detail and atmospheric conditions.  The walls and floor are made of polished , and the ceiling, that filters the light from the plenum, is made of frosted .  The basic materials of the interior give the gallery spaces a stark, cold feeling that works to accommodate the art working in the space.  When the light enters through the plenum, the polished  seems to dematerialize and wash away allowing for the closed off galleries to become flooded with light.  The interior works as a fusion between art and architecture that although extremely different in materiality and composition, the mixture of combination of diffused natural light and the neutral material palette come together cohesively as a contemporary art museum where art nor architecture overshadow the other.

The buildings structure is minimalist and reductive in the sense that only three walls support the museum and all of its floor plates.  The three  walls enclose the gallery spaces and section off the circulation spaces to the perimeter of the building creating a building of seclusion and openness all in one.

Along with Therme Vals, the Kunsthaus  put  at the forefront of architectural, as well as a dominant creative force in the discipline of architecture.

Architect: 
Location: 
Project Year: 1989 -1997
Photographs: Wikimedia CommonsFlickr User: mightymightymatzeFlickr User: Kradeki
References: galinsky.comkunsthaus-bregenz.at

http://www.archdaily.com/107500/ad-classics-kunsthaus-bregenz-peter-zumthor/

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: